
Skindred’s Benji Webbe Joins James Kennedy & The Underdogs for ‘Revolution’
Revolution marks the second release from the upcoming Rebel album
By Underground Press
Published Thursday, 11 June 2026 12:50
South Wales alt-rock outfit James Kennedy and The Underdogs are set to release their new single ‘Revolution’ on 12 June 2026, featuring guest vocals from Skindred frontman Benji Webbe. The track marks the second release from their forthcoming album ‘Rebel’, and signals a deliberate tonal escalation from their earlier single ‘Us and Them’.
‘Revolution’ moves away from the band’s upbeat punk energy into a darker, heavier soundscape, blending alt-rock intensity with nu-metal edge and Webbe’s signature ragga-rock delivery. The lyrical framing operates on two levels: Kennedy’s reflection on the cyclical nature of social struggle versus Webbe’s more direct, confrontational call for literal revolution.
This is not the first time the artists have crossed paths. Kennedy previously performed with Skindred at Beautiful Days, covering vocals on ‘Warning’, but this studio collaboration pushes the dynamic into more structured and ambitious territory. Early live previews suggest the track has already been met with strong audience reaction, with Rock News UK describing it as “an absolute beast”.
James Kennedy praised the collaboration, highlighting Webbe’s instinctive studio performance and describing it as entirely spontaneous and unrehearsed. Webbe, meanwhile, framed the track as a “call to unite”, reinforcing its combative thematic core.
With Skindred recently securing a UK Official Album Chart Number One for ‘You Got This’, the timing of this feature adds further momentum to Webbe’s current run, while positioning James Kennedy and The Underdogs as a band actively pushing into heavier, more confrontational sonic territory ahead of their October 2026 album release.
But beneath the surface energy, a harder question lingers: is this collaboration a genuine artistic convergence, or another carefully timed alignment in an industry increasingly driven by strategic pairing and attention economics?
What does ‘Revolution’ actually represent in modern rock culture—authentic resistance, or a well-produced simulation of it?

