Review: Haunting The Human Condition: Seance Room’s Debut Turns Doom Into Architecture
Doom Metal Meets Theatre in a Sonic Ritual of Faith, Loss, and Decay
By David (Devo) Oosthuizen
Published Thursday, 06 November 2025 08:04
Seance Room’s self-titled debut is a bruising, cinematic breath of doom that turns grief into architecture. This is an immersive ritual for listeners who like weight with thought, for fans of Paradise Lost and My Dying Bride.
Founded by underground veterans Wilhelm Barnard and Dwayne Coetzee, the project channels decades of heavy-scene experience into a record that wears its lineage proudly while carving a distinct, theatrical identity. Recorded between September 2024 and August 2025, the 12-track, 74-minute album was mixed and mastered by Michael Kyriakou and released on 31 October. The album also features guest vocals from Selene Albecinske, whose parts add an ethereal counterpoint to the primary vocal tones.
From the opening title track 'As the Kingdom Withers', the record sets its program: slow-moving, monumental riffs, declarative vocals, and a widescreen sense of tragic narrative. The lyrics read like a gothic pamphlet, with images of rusted crowns, blood moons and black rivers recurring throughout, giving the album the feel of chapters in an extended descent.
Musically, Seance Room sits at the intersection of symphonic doom, death metal grit and gothic melodrama. Production keeps the low end massive without smothering detail, while tremulous strings or synth pads drift behind crushing chugs. Percussion often marks time and mood rather than pushing tempo, which amplifies the album’s funerary atmosphere. Songs with full force riffage like 'Age of the Scourge' and 'Haunting the Valley' deliver a visceral payoff. It is not flashy, yet entirely in keeping with the album’s thematic stakes.
Lyrically, the record is unambiguous in its obsessions with moral decay, grief, religious corruption and the hubris of human empire. 'Ashes' draws explicit inspiration from the Tuam mother-and-baby home tragedy, and the album rarely shies from the blunt language of loss and accusation. That bluntness is tempered by literary phrasing, so the imagery reads operatic rather than journalistic.

This is a record to be inhabited, not skimmed, for listeners who want a soundscape to live inside; this debut delivers. Seance Room does not just conjure ghosts, it builds a house for them and sonically leads you through every haunted creaking corridor to confront the furniture of human failure!